Hatzegana (Trad.) - Nicolas Simion / Florian Weber Duo - Romanian Dance (CD)

Famed throughout Romania for his curious sculptures and installation pieces, Rudolf Bone currently lives and works in the western city of Oradea. Some of his best known presentations include his iconic tin-foil effigy of the human form and the dual selection of Megalopolis and Die that took centre stage at the avant-garde exhibit DICEat the Galeria Plan B in Berlin.

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But Bucium, as rightly pointed out, is also one way of spelling the name of a region of Romania that was once part of Hungary or the Austro-Hungarian empire. So the title Hatzegana (Trad.) - Nicolas Simion / Florian Weber Duo - Romanian Dance (CD) be referring to two meanings simultaneously. If you listen to the piece it is a plaintive melody, which does not suggest 'hornpipe' in any way. Perhaps I'll edit Hatzegana (Trad.) - Nicolas Simion / Florian Weber Duo - Romanian Dance (CD) unless anybody can come up with any valid reason to call it a 'hornpipe'.

Poarca is indeed a children's game not dance. Maybe the confusion sprang from the fact that joc means both game and dance in Romanian. My own independent research leads me to believe that the Sz. Its BB. Put simply, the author used the BB. The one who plays it certainly won't teach you. Yes, the violin is light in your hand, but it is heavy to learn. Like mathematics. Gundula Gruen, Gypsy Fiddle Collection. Latch Drom segment featuring Nicolae Neacsu singing his famous 'Ballad Of The Dictator' while playing his Hatzegana (Trad.) - Nicolas Simion / Florian Weber Duo - Romanian Dance (CD) with a horsehair tied in a loop.

Simon Broughton, MuzsickasSonglines Magazine, Brief biography Hatzegana (Trad.) - Nicolas Simion / Florian Weber Duo - Romanian Dance (CD) a notable and durable Hungarian and Transylvanian music group. Clearly the Rumanians take their folk arts seriously. And the performers approached their music and dance with engaging directness, smiling and letting loose with strigaturi, high-pitched yelps of joy that burst, characteristically, from the musicians from time to time as the dancers skimmed across the floor.

The accent was on speed, as lines of men and women passed each other by, then grabbed their partners to trot through spins and simple configurations that were sometimes sedate, sometimes raucous. As is often Hatzegana (Trad.) - Nicolas Simion / Florian Weber Duo - Romanian Dance (CD) case in folk dance, the men do the real dancing - and wear the most beautiful hats - kicking their legs high and slapping them for good measure.

In ''Wedding in Oas'' the dancers merged into a bobbing huddle then splayed out again, swirling through close partnering and stamping all the while.

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