She Belongs To Me - Bob Dylan - Bob Dylans Greatest Hits-Volume II (CD)

Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released as a She Belongs To Me - Bob Dylan - Bob Dylans Greatest Hits-Volume II (CD) album on June 20, by Columbia Records. Recording sessions began in New York in October with numerous backing musicians, including members of Dylan's live backing band, the Hawks.

Though sessions continued until Januarythey yielded only one track that made it onto the final album—"One of Us Must Know ". These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded. The song initially appeared on his album, John Wesley Hardingand it has been included on most of Dylan's subsequent greatest hits compilations.

Since the late s, he has performed it in concert more than any of his other songs. Different versions appear on four of Dylan's live albums. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages, and has been used or referenced in television shows, films, and books. Biograph is a track box set compilation She Belongs To Me - Bob Dylan - Bob Dylans Greatest Hits-Volume II (CD) the career of American singer-songwriter Bob Dylan, released on November 7,by Columbia Records.

Consisting of 53 released and unreleased tracks from tothe box set was released as a five-LP set, a three-cassette tape set, and a three-compact disc set. Biograph reached No. It is stylistically similar to his earlier folk protest songs and features Dylan's voice with an acoustic guitar accompaniment. Although Dylan wrote the song inShe Belongs To Me - Bob Dylan - Bob Dylans Greatest Hits-Volume II (CD) did not perform it live until Bob Dylan's Greatest Hits Vol.

With Dylan not expected to release any new material for an extended period of time, CBS Records president Clive Davis proposed issuing a double LP compilation of older material.

Dylan agreed, compiling it himself and suggesting that the package include a full side of unreleased tracks from his archives. After submitting a set of excerpts from The Basement Tapes that Davis found unsatisfactory, Dylan returned to the studio in September to recut several Basement songs, with Happy Traum providing backup.

It is the top-selling album in the Byrds' catalogue and reached number 6 on the Billboard Top LPs chart, but failed to chart in She Belongs To Me - Bob Dylan - Bob Dylans Greatest Hits-Volume II (CD) UK.

The Byrds Play Dylan is the name of two different compilation albums by the American rock band the Byrds, one released in and the other issued in As their titles suggest, each compilation consists of interpretations of Bob Dylan penned songs, which the She Belongs To Me - Bob Dylan - Bob Dylans Greatest Hits-Volume II (CD) recorded at different stages of their career.

It is arguably one of the most popular songs that Dylan wrote in the period immediately after he abandoned topical songwriting. Within a year of its release on Another Side of Bob Dylanit had also become one of Dylan's most familiar songs to pop and rock audiences, due to hit cover versions by Cher and the Byrds. It was released as a single by Columbia Records on September 7,reaching No. Billboard Hotand No. Rolling Stone magazine ranked the song as No.

It was originally recorded on August 2,and released on the album Highway 61 Revisited. II and as two separate live versions recorded at concerts in the first of which appeared on the B-side of Dylan's "I Want You" single, with the second being released on The Bootleg Series Vol.

Lightfoot's version was recorded only weeks after Dylan's original had been released and reached 3 on the Canadian RPM singles chart. An early studio take, done in a faster tempo, was released on The Bootleg Series Vol. It was also released as a single in the U. The song was recorded on January 15,with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue".

There has been much speculation about the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.

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