Esquire - Esquire (Vinyl, LP, Album)

Seems you have something of a unique resource, fortunate indeed, kudos. You can see the record company dilemma, launching stereo editions at a time when not many record buyers had bought the necessary new stereogram to play them, sticking with mono until, over several years, stereo became the definitive format.

According to the trade press, record stores found it a burden to stock both mono and stereo copies of each record. Hard for the struggling record label to incur the cost of printing different covers and labels for the fledgling stereo format, so stickers and all round fudges were to be expected. I figured as much. Many thanks for your comments! The pressings I have must be very early indeed then.

They are in archival condition and sound great. VJ did produce excellent stereo sonics in the day. Again, my thanks for your insight. Another question please, without seeing the LPs but Esquire - Esquire (Vinyl in mind the pristine state of the product and the early stereo versions, what would be the value of these two pressings?

VeeJay are undervalued in general. Thanks for your reply. Not selling it however. Are they deep groove? Vee Jay is a wonderful Chicago label and, like Argo, released some excellent sessions featuring primarily Chicago based groups and leaders. You are commenting using your WordPress.

You are commenting using your Google account. Information side has an adhesive label or is printed by an inkjet or even has professional printing. The color of the data side is most commonly light golden, silver, shades of green or blue. Contains a CDr type number often containing the length "74" or "80"which is mostly hard to read and often a serial number printed on the transparent inner ring. A serial number, however, is seemingly without exception always printed in a "dot-matrix"-like format on the inner ring.

Some format tags are obvious at first glance such as Mini, Shape or Picture Discwhile others require listening to the audio such as Mixed, Partially Mixed and Mispress.

Still other tags rely on how the release is labeled. If there is no reference that the use of the tag is correct, the tag should not be used. References can include:. Do not guess or attempt to apply personal standards to these tags. If you are going to do multiple edits regarding these tags, remember to follow guideline Do not use the tag "Limited Edition" when terms such as "One-Time-Pressing" or "Print Run of Only xxx copies" appear without the term "Limited" on the release or by reliable sources.

If the release is a numbered edition, e. Just because a release has a plain label, that does not mean that an item should be listed as Promo or Test Pressing. These tags should only be used in conjunction with 'White Label' if they are stated on the label or packaging.

Also, these three descriptions can be used in conjunction with 'Unofficial Release' or 'Partially Unofficial' if the release was made without the consent of the artist or label. Promo - Any item labelled as being released for promotional purposes, including advance copies sent out to promote a retail release. This tag should only be used where it is clear the item was released as such, for example, it is explicitly mentioned on the release, or by the label, artist, or other reliable source.

Additionally, retail releases that include 'one-sheet' promotional press-release or feedback type pages are not to be considered different than the retail version. Test Pressing - Typically a limited run of a record made to test the sound quality. Only list an item as Test Pressing if the release is clearly marked as such. Do not enter the pressing plant as the label, even if their logo appears prominently; use the label associated with the retail release. Questions about label identity should be discussed in the forums.

White Label - Only use this tag to indicate Esquire - Esquire (Vinyl the center labels on a vinyl release are without mechanically applied print on either side. Additional marks with a rubber stamp, small printed sticker, or handwritten on an otherwise blank but not necessarily white label would still generally be considered a White Label release. White label releases of the same record may be entered as separate releases if one version has been stamped while another has been labeled with a sticker.

Acetate - If there are label identifiers, but the acetate is not in the same format as the commercial release, then no catalogue number should be entered but the label can be i. The 'Stereo' tag may be used for any stereo release, but is required if there also is a mono version in the Database. Where a release contains both stereo and mono audio, both Stereo and Mono tags should be applied.

The LP tag used by itself, denotes a 12" 30 cm33 rpm long-playing record. Other non-standard sizes can be added if needed, Album) example, LP, 10". LP is often misused outside of Discogs to denote an album. At Discogs, we use these terms independently and precisely.

Using the LP tag does not mark the release as an album. Album is a marketing term used to denote a collection of tracks, and should only be used where it is clear the item was released as such. We use the 'Unofficial Release' and 'Partially Unofficial' descriptions to tag and separate the releases that may not adhere to usual copyright law s. When these tags are used, please explain in the Submission Notes the reason for tagging the release as such.

The usual Discogs cataloging rules apply to these items: They must be entered in a way that defines the item as a unique release. Please also refer to the label guidelines for naming conventions.

The following are approximate definitions only of items that do not adhere to copyright laws:. Counterfeit: Recordings which are copied or distributed without authority, and which are packaged to resemble the original as closely as possible.

Pirate: Recordings which Album) copied or distributed without authority, and which are usually packaged differently to the original. The following are examples of additional items to which the tags apply:. This list is not all inclusive. Please work with the Community if you are unsure how to label a release. Unlike other Discogs tags such as 'Album' and 'Single', 'Compilation' does not need to appear on the release or be cited from a trustworthy source.

The compilation tag can be used in conjunction with any other available tag, for example, 'Compilation, Album'. The guidelines remain the same for each individual tag.

Use the 'Compilation' tag in the same way as other discographies, collectors, shops Esquire - Esquire (Vinyl the general public use it: To indicate a 'Greatest Hits', 'Best Of', or Esquire - Esquire (Vinyl themed gathering of tracks, usually taken from a variety of previously issued sources. The tag can be used when a release takes previously available tracks from different sources, and repackages them. The tag can be used when the release is two or more previously available releases packaged together.

You might say that the way Nikki sings is somewhat similar with the way Jon sings. The melody of all songs contained here is quite good and makes it easy for everyone to repeat.

Look at the example of 'Hourglass' 6th track that reminds you to the Yes' "Onward". The composition is quite good with managed changes from one piece to another. The overall style of the music for each track is quite uniform and it makes the music is quite cohesive. The sonic quality is excellent. Overall, I think this is a very good album and very enjoyable. Keep on proggin'.! Esquire is a band led by Chris Squire's wife at the time Nikki Squire and is of some interest to fans of Yes because of the contributions of Chris Squire on backing vocals and bass.

Chris is also credited as co-producer of the opening track To The Rescue while Trevor Horn is credited for the mix. Also, Alan White is one of several drummers credited on the album though unclear on which tracks he plays.

Yet, any similarities with the music of Yes are superficial as Esquire is primarily a Pop group and not a progressive Rock band. However, imagine an emasculated version of era Yes or Asia without any muscular guitars and you might get an idea. Perhaps The Buggles is a better comparison. There is some merit to some of these songs, but in the end each song sounds too similar to the previous one and it is hard to maintain interest to the end of the album.

Ultimately, Esquire is just a curiosity for devoted Yes fans. However, I will say, without hyperbole, that this is prog-pop at its finest.

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