This is perhaps new territory that Pena can mine in the future; it can be difficult to discern lyrics from time to time which limits the impression that each song can make. A drum machine paired with steel drums makes Album) a layered sound that made me want to go to the beach.
Pena marries a Caribbean sound with a sitar that injects another part of the world into the song. Deconstructing gender norms and going against masculine type is a bold choice for a LP song. Heavenly Beat exceeds LP what it sets out to do — make an enjoyable album that goes down smooth. The varying instrumentation abounds and the production is spot on.
Now with a full time Album) and co-writer of two tracks on the LP Beach Fossils entered the studio in the fall of with producer Ben Greenberg of The Men. Instead of merely going from a "bedroom DiY" project to a "better fidelity studio project" the deliberate decision to work with Ben was determined to capture, if not in style, the spirit and enthusiasm of punk and aggressive music in general.
To ensure that dynamic, the drums were recorded live in a room with Dustin on bass to give the album a driving and energetic force. Consider the titles "Generational Synthetic," "Caustic Cross" and "Burn You Down," it's easy to see how the record, while not a punk or post-punk record by strict definition, certainly nods to the first major influence of Dustin's creative spark. The first two notes of the title track that kick the LP off are a clear indicator of where his head was at.
During the recording period, the studio was flooded and destroyed by hurricane Sandy and the band had to relocate to another studio to finish the LP in earnest. It all came together when the work of legendary video artist Peter Campus was finalized to be featured throughout the release and on the striking cover. Clash the Truth marks a clear progression in the ongoing story of Beach Fossils. Skip to main content. About this product.
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